Upcoming Events
Svetlana Shmulyian and the New York Collective (sextet)
Homer Council on the Arts presents:
Svetlana Shmulyian and the New York Collective (sextet).
August 28, 7pm
“Prepare to swing and be moved!” (JazzLives) as Svetlana and her New York Collective transport you to the carnival of sound, seamlessly moving from sophisticated tender tones to a rowdy “exuberant, foot-stomping music” fit for the 21st Century! Join Svetlana & The New York Collective for a thrilling night of hot jazz and sultry vocals! Originating during the vintage swing culture revival of 2010s in the only remaining authentic Prohibition Time NYC speakeasy, The Back Room, Svetlana and her band have delighted audiences worldwide, including legendary jazz clubs, theatres, and festivals around the US and internationally. Now on the stage of Pier One, the show will transport the audience to underground Prohibition-era speakeasies with an intimate atmosphere and captivating music."
Beer and Wine available for purchase, youth must be accompanied by a parent or guardian 21+
Tickets at Homer Council on the Arts
$25 general / $20 members / $10 students
“Stranded” A Ten-Minute Play Festival
Ten-Minute Play Festival
“Stranded”
produced by Christine Kulcheski & Rudy Multz, writing workshop lead by Kate Rich
Performances August 29 - 31 & September 4 -6 at 7:30 PM
motherhood • wilderness survival • immigration • mysterious sea gods • community service • therapy sessions • murder • ghosts • and MORE!
(please note, this show does include mature content)
The following new plays by Alaskan Playwrights will be performed:
Mom, Look! By Brianna Allen, directed by Deb Rowzee
Pushing Back By Linda Billington, directed by Linda Ellsworth
No Wheels of Her Own by Deb Rowzee, directed by Brian Duffy
Blanket Rules by Mary Sheppard Fries, directed by Val Sheppard
Strangers on the Shore by Curtis Jackson, directed by Curtis Jackson
The Most Comfortable Couch in Town by Kate Rich, directed by Sally Oberstein
Regina's Baggage by Dawson Moore, directed by Mary Katzke
Not Dead by Christine Kulcheski, directed by Ken Landfield
“Stranded” A Ten-Minute Play Festival
Ten-Minute Play Festival
“Stranded”
produced by Christine Kulcheski & Rudy Multz, writing workshop lead by Kate Rich
Performances August 29 - 31 & September 4 -6 at 7:30 PM
motherhood • wilderness survival • immigration • mysterious sea gods • community service • therapy sessions • murder • ghosts • and MORE!
(please note, this show does include mature content)
The following new plays by Alaskan Playwrights will be performed:
Mom, Look! By Brianna Allen, directed by Deb Rowzee
Pushing Back By Linda Billington, directed by Linda Ellsworth
No Wheels of Her Own by Deb Rowzee, directed by Brian Duffy
Blanket Rules by Mary Sheppard Fries, directed by Val Sheppard
Strangers on the Shore by Curtis Jackson, directed by Curtis Jackson
The Most Comfortable Couch in Town by Kate Rich, directed by Sally Oberstein
Regina's Baggage by Dawson Moore, directed by Mary Katzke
Not Dead by Christine Kulcheski, directed by Ken Landfield
“Stranded” A Ten-Minute Play Festival
Ten-Minute Play Festival
“Stranded”
produced by Christine Kulcheski & Rudy Multz, writing workshop lead by Kate Rich
Performances August 29 - 31 & September 4 -6 at 7:30 PM
motherhood • wilderness survival • immigration • mysterious sea gods • community service • therapy sessions • murder • ghosts • and MORE!
(please note, this show does include mature content)
The following new plays by Alaskan Playwrights will be performed:
Mom, Look! By Brianna Allen, directed by Deb Rowzee
Pushing Back By Linda Billington, directed by Linda Ellsworth
No Wheels of Her Own by Deb Rowzee, directed by Brian Duffy
Blanket Rules by Mary Sheppard Fries, directed by Val Sheppard
Strangers on the Shore by Curtis Jackson, directed by Curtis Jackson
The Most Comfortable Couch in Town by Kate Rich, directed by Sally Oberstein
Regina's Baggage by Dawson Moore, directed by Mary Katzke
Not Dead by Christine Kulcheski, directed by Ken Landfield
“Stranded” A Ten-Minute Play Festival
Ten-Minute Play Festival
“Stranded”
produced by Christine Kulcheski & Rudy Multz, writing workshop lead by Kate Rich
Performances August 29 - 31 & September 4 -6 at 7:30 PM
motherhood • wilderness survival • immigration • mysterious sea gods • community service • therapy sessions • murder • ghosts • and MORE!
(please note, this show does include mature content)
The following new plays by Alaskan Playwrights will be performed:
Mom, Look! By Brianna Allen, directed by Deb Rowzee
Pushing Back By Linda Billington, directed by Linda Ellsworth
No Wheels of Her Own by Deb Rowzee, directed by Brian Duffy
Blanket Rules by Mary Sheppard Fries, directed by Val Sheppard
Strangers on the Shore by Curtis Jackson, directed by Curtis Jackson
The Most Comfortable Couch in Town by Kate Rich, directed by Sally Oberstein
Regina's Baggage by Dawson Moore, directed by Mary Katzke
Not Dead by Christine Kulcheski, directed by Ken Landfield
“Stranded” A Ten-Minute Play Festival
Ten-Minute Play Festival
“Stranded”
produced by Christine Kulcheski & Rudy Multz, writing workshop lead by Kate Rich
Performances August 29 - 31 & September 4 -6 at 7:30 PM
motherhood • wilderness survival • immigration • mysterious sea gods • community service • therapy sessions • murder • ghosts • and MORE!
(please note, this show does include mature content)
The following new plays by Alaskan Playwrights will be performed:
Mom, Look! By Brianna Allen, directed by Deb Rowzee
Pushing Back By Linda Billington, directed by Linda Ellsworth
No Wheels of Her Own by Deb Rowzee, directed by Brian Duffy
Blanket Rules by Mary Sheppard Fries, directed by Val Sheppard
Strangers on the Shore by Curtis Jackson, directed by Curtis Jackson
The Most Comfortable Couch in Town by Kate Rich, directed by Sally Oberstein
Regina's Baggage by Dawson Moore, directed by Mary Katzke
Not Dead by Christine Kulcheski, directed by Ken Landfield
Valdez Theatre Conference: A Conversation with Dawson Moore
Valdez Theatre Conference Coordinator Dawson Moore will be holding a one-hour conversation about the event. The talk will cover its history, current plans for the future, and how to get involved. There will also be a short writing exercise.
Saturday, September 6, 3:00 PM at Pier One Theatre
The week-long Valdez Theatre Conference is held every June in Valdez, Alaska. It draws a majority of its participants from Alaska, but each year there are also attendees from the rest of the country and beyond.
The Conference essentially consists of three parts:
The Play Lab is the heart and soul of the Conference. Each year, submissions from playwrights are solicited, and the writers of the top scripts are invited to present their work in a Play Lab reading. The presentations are responded to by a panel of theatre professionals (Featured Artists) and by the audience. The writers also receive a private consultation with one of their panelists.
Each year there are numerous classes and panel discussions. They include discussions of both the craft and business of working in the theatre. There is an emphasis on classes that involve active participation, as opposed to pure lecture format.
There are evening performances including plays, films, and the nightly Valez Theatre Fringe. The shows presented on the Civic Center mainstage feature work by past and present participants in the Conference, both featured artists/teachers and participants in the Play Lab.
“Stranded” A Ten-Minute Play Festival
Ten-Minute Play Festival
“Stranded”
produced by Christine Kulcheski & Rudy Multz, writing workshop lead by Kate Rich
Performances August 29 - 31 & September 4 -6 at 7:30 PM
motherhood • wilderness survival • immigration • mysterious sea gods • community service • therapy sessions • murder • ghosts • and MORE!
(please note, this show does include mature content)
The following new plays by Alaskan Playwrights will be performed:
Mom, Look! By Brianna Allen, directed by Deb Rowzee
Pushing Back By Linda Billington, directed by Linda Ellsworth
No Wheels of Her Own by Deb Rowzee, directed by Brian Duffy
Blanket Rules by Mary Sheppard Fries, directed by Val Sheppard
Strangers on the Shore by Curtis Jackson, directed by Curtis Jackson
The Most Comfortable Couch in Town by Kate Rich, directed by Sally Oberstein
Regina's Baggage by Dawson Moore, directed by Mary Katzke
Not Dead by Christine Kulcheski, directed by Ken Landfield
Sandglass Theatre Residency: Feral
Pier One Theatre and Bunnell Street Arts Center present:
Sandglass Theatre
Sandglass Theater is a renowned theater company specializing in combining puppets with music, actors, and visual imagery. We are delighted to partner with Bunnell Street Arts Center to host them for a week long residency and performance.
FERAL
A new collaboration in development
Led by Shoshana Bass.
Performances September 19 - 20 - 21
Sandglass Theatre: Feral
Pier One Theatre and Bunnell Street Arts Center present:
Sandglass Theatre: FERAL
at Pier One Theatre, September 2025
Sandglass Theater returns to Bunnell Street Arts Center as Artists in Residence from September 13th-21st to present their work of theater and puppetry, Feral, at Pier One Theatre from September 19th - 21st at 7:30pm. Tickets at PierOneTheatre.org.
Sandglass Theater of Vermont is dedicated to the art of theater and puppetry as a means of exploring contemporary issues and sparking wonder.
“Feral" addresses the act of making visible the work of women through celebrating intuitive knowledge, how it is housed in our bodies, and how it can be used as a tool for individual and cultural repair. A wolf-who-is-no-longer-a-wolf returns to the forest, within her the violation of domestication, a claim of ownership on her body. She yearns for instincts of which she feels only traces. This is a story of disruption within a woman’s life when the wolf inside her howls, and the possibilities of reintegration with that feral voice.
This program is made possible with support by the National Performance Network and co-commissioners, The Yard (Chilmark, MA), Bunnell Street Arts Center (Homer, AK), Next Stage Arts Project (Putney, VT), and Dancers’ Workshop (Jackson, WY). This project is presented in Homer in partnership with Pier One Theatre and supported by the RurALCAP Foundation.
Sandglass Theater company members include Shoshana Bass, Dey Hernandez, Maria Pugnetti and Sarah Nolen. LEARN MORE ABOUT THE ARTISTS
Bunnell Street Arts Center's mission is to spark artistic inquiry, innovation and equity to strengthen the physical, social and economic fabric of Alaska. LEARN MORE ABOUT THE RESIDENCY
____
Friday, September 19th - Sunday, September 21st, 7:30pm.
Tickets $20 General/$18 Raven's /$10 Youth
Sandglass Theatre: Feral
Pier One Theatre and Bunnell Street Arts Center present:
Sandglass Theatre: FERAL
at Pier One Theatre, September 2025
Sandglass Theater returns to Bunnell Street Arts Center as Artists in Residence from September 13th-21st to present their work of theater and puppetry, Feral, at Pier One Theatre from September 19th - 21st at 7:30pm. Tickets at PierOneTheatre.org.
Sandglass Theater of Vermont is dedicated to the art of theater and puppetry as a means of exploring contemporary issues and sparking wonder.
“Feral" addresses the act of making visible the work of women through celebrating intuitive knowledge, how it is housed in our bodies, and how it can be used as a tool for individual and cultural repair. A wolf-who-is-no-longer-a-wolf returns to the forest, within her the violation of domestication, a claim of ownership on her body. She yearns for instincts of which she feels only traces. This is a story of disruption within a woman’s life when the wolf inside her howls, and the possibilities of reintegration with that feral voice.
This program is made possible with support by the National Performance Network and co-commissioners, The Yard (Chilmark, MA), Bunnell Street Arts Center (Homer, AK), Next Stage Arts Project (Putney, VT), and Dancers’ Workshop (Jackson, WY). This project is presented in Homer in partnership with Pier One Theatre and supported by the RurALCAP Foundation.
Sandglass Theater company members include Shoshana Bass, Dey Hernandez, Maria Pugnetti and Sarah Nolen. LEARN MORE ABOUT THE ARTISTS
Bunnell Street Arts Center's mission is to spark artistic inquiry, innovation and equity to strengthen the physical, social and economic fabric of Alaska. LEARN MORE ABOUT THE RESIDENCY
____
Friday, September 19th - Sunday, September 21st, 7:30pm.
Tickets $20 General/$18 Raven's /$10 Youth
Sandglass Theatre: Feral
Pier One Theatre and Bunnell Street Arts Center present:
Sandglass Theatre: FERAL
at Pier One Theatre, September 2025
Sandglass Theater returns to Bunnell Street Arts Center as Artists in Residence from September 13th-21st to present their work of theater and puppetry, Feral, at Pier One Theatre from September 19th - 21st at 7:30pm. Tickets at PierOneTheatre.org.
Sandglass Theater of Vermont is dedicated to the art of theater and puppetry as a means of exploring contemporary issues and sparking wonder.
“Feral" addresses the act of making visible the work of women through celebrating intuitive knowledge, how it is housed in our bodies, and how it can be used as a tool for individual and cultural repair. A wolf-who-is-no-longer-a-wolf returns to the forest, within her the violation of domestication, a claim of ownership on her body. She yearns for instincts of which she feels only traces. This is a story of disruption within a woman’s life when the wolf inside her howls, and the possibilities of reintegration with that feral voice.
This program is made possible with support by the National Performance Network and co-commissioners, The Yard (Chilmark, MA), Bunnell Street Arts Center (Homer, AK), Next Stage Arts Project (Putney, VT), and Dancers’ Workshop (Jackson, WY). This project is presented in Homer in partnership with Pier One Theatre and supported by the RurALCAP Foundation.
Sandglass Theater company members include Shoshana Bass, Dey Hernandez, Maria Pugnetti and Sarah Nolen. LEARN MORE ABOUT THE ARTISTS
Bunnell Street Arts Center's mission is to spark artistic inquiry, innovation and equity to strengthen the physical, social and economic fabric of Alaska. LEARN MORE ABOUT THE RESIDENCY
____
Friday, September 19th - Sunday, September 21st, 7:30pm.
Tickets $20 General/$18 Raven's /$10 Youth
Julius Caesar
The Mud Bay Bards of Pier One Theatre present
Julius Caesar
By William Shakespeare
at the Homer High School Mariner Theatre
Performances are
Friday, October 17 at 7:00
Saturday, October 18 at 7:00
Sunday, October 19 at 3:00
Friday, October 24 at 7:00
Saturday, October 25 at 7:00
Sunday, October 26 at 3:00
Synopsis:
Caesar’s assassination is just the halfway point of Julius Caesar. The first part of the play leads to his death; the second portrays the consequences. As the action begins, Rome prepares for Caesar’s triumphal entrance. Brutus, Caesar’s friend and ally, fears that Caesar will become king, destroying the republic. Cassius and others convince Brutus to join a conspiracy to kill Caesar.
On the day of the assassination, Caesar plans to stay home at the urging of his wife, Calphurnia. A conspirator, Decius Brutus, persuades him to go to the Senate with the other conspirators and his friend, Mark Antony. At the Senate, the conspirators stab Caesar to death. Antony uses a funeral oration to turn the citizens of Rome against them. Brutus and Cassius escape as Antony joins forces with Octavius Caesar.
Encamped with their armies, Brutus and Cassius quarrel, then agree to march on Antony and Octavius. In the battle which follows, Cassius, misled by erroneous reports of loss, persuades a slave to kill him; Brutus’s army is defeated. Brutus commits suicide, praised by Antony as “the noblest Roman of them all.”
Julius Caesar
The Mud Bay Bards of Pier One Theatre present
Julius Caesar
By William Shakespeare
at the Homer High School Mariner Theatre
Performances are
Friday, October 17 at 7:00
Saturday, October 18 at 7:00
Sunday, October 19 at 3:00
Friday, October 24 at 7:00
Saturday, October 25 at 7:00
Sunday, October 26 at 3:00
Synopsis:
Caesar’s assassination is just the halfway point of Julius Caesar. The first part of the play leads to his death; the second portrays the consequences. As the action begins, Rome prepares for Caesar’s triumphal entrance. Brutus, Caesar’s friend and ally, fears that Caesar will become king, destroying the republic. Cassius and others convince Brutus to join a conspiracy to kill Caesar.
On the day of the assassination, Caesar plans to stay home at the urging of his wife, Calphurnia. A conspirator, Decius Brutus, persuades him to go to the Senate with the other conspirators and his friend, Mark Antony. At the Senate, the conspirators stab Caesar to death. Antony uses a funeral oration to turn the citizens of Rome against them. Brutus and Cassius escape as Antony joins forces with Octavius Caesar.
Encamped with their armies, Brutus and Cassius quarrel, then agree to march on Antony and Octavius. In the battle which follows, Cassius, misled by erroneous reports of loss, persuades a slave to kill him; Brutus’s army is defeated. Brutus commits suicide, praised by Antony as “the noblest Roman of them all.”
Julius Caesar
The Mud Bay Bards of Pier One Theatre present
Julius Caesar
By William Shakespeare
at the Homer High School Mariner Theatre
Performances are
Friday, October 17 at 7:00
Saturday, October 18 at 7:00
Sunday, October 19 at 3:00
Friday, October 24 at 7:00
Saturday, October 25 at 7:00
Sunday, October 26 at 3:00
Synopsis:
Caesar’s assassination is just the halfway point of Julius Caesar. The first part of the play leads to his death; the second portrays the consequences. As the action begins, Rome prepares for Caesar’s triumphal entrance. Brutus, Caesar’s friend and ally, fears that Caesar will become king, destroying the republic. Cassius and others convince Brutus to join a conspiracy to kill Caesar.
On the day of the assassination, Caesar plans to stay home at the urging of his wife, Calphurnia. A conspirator, Decius Brutus, persuades him to go to the Senate with the other conspirators and his friend, Mark Antony. At the Senate, the conspirators stab Caesar to death. Antony uses a funeral oration to turn the citizens of Rome against them. Brutus and Cassius escape as Antony joins forces with Octavius Caesar.
Encamped with their armies, Brutus and Cassius quarrel, then agree to march on Antony and Octavius. In the battle which follows, Cassius, misled by erroneous reports of loss, persuades a slave to kill him; Brutus’s army is defeated. Brutus commits suicide, praised by Antony as “the noblest Roman of them all.”
Julius Caesar
The Mud Bay Bards of Pier One Theatre present
Julius Caesar
By William Shakespeare
at the Homer High School Mariner Theatre
Performances are
Friday, October 17 at 7:00
Saturday, October 18 at 7:00
Sunday, October 19 at 3:00
Friday, October 24 at 7:00
Saturday, October 25 at 7:00
Sunday, October 26 at 3:00
Synopsis:
Caesar’s assassination is just the halfway point of Julius Caesar. The first part of the play leads to his death; the second portrays the consequences. As the action begins, Rome prepares for Caesar’s triumphal entrance. Brutus, Caesar’s friend and ally, fears that Caesar will become king, destroying the republic. Cassius and others convince Brutus to join a conspiracy to kill Caesar.
On the day of the assassination, Caesar plans to stay home at the urging of his wife, Calphurnia. A conspirator, Decius Brutus, persuades him to go to the Senate with the other conspirators and his friend, Mark Antony. At the Senate, the conspirators stab Caesar to death. Antony uses a funeral oration to turn the citizens of Rome against them. Brutus and Cassius escape as Antony joins forces with Octavius Caesar.
Encamped with their armies, Brutus and Cassius quarrel, then agree to march on Antony and Octavius. In the battle which follows, Cassius, misled by erroneous reports of loss, persuades a slave to kill him; Brutus’s army is defeated. Brutus commits suicide, praised by Antony as “the noblest Roman of them all.”
Julius Caesar
The Mud Bay Bards of Pier One Theatre present
Julius Caesar
By William Shakespeare
at the Homer High School Mariner Theatre
Performances are
Friday, October 17 at 7:00
Saturday, October 18 at 7:00
Sunday, October 19 at 3:00
Friday, October 24 at 7:00
Saturday, October 25 at 7:00
Sunday, October 26 at 3:00
Synopsis:
Caesar’s assassination is just the halfway point of Julius Caesar. The first part of the play leads to his death; the second portrays the consequences. As the action begins, Rome prepares for Caesar’s triumphal entrance. Brutus, Caesar’s friend and ally, fears that Caesar will become king, destroying the republic. Cassius and others convince Brutus to join a conspiracy to kill Caesar.
On the day of the assassination, Caesar plans to stay home at the urging of his wife, Calphurnia. A conspirator, Decius Brutus, persuades him to go to the Senate with the other conspirators and his friend, Mark Antony. At the Senate, the conspirators stab Caesar to death. Antony uses a funeral oration to turn the citizens of Rome against them. Brutus and Cassius escape as Antony joins forces with Octavius Caesar.
Encamped with their armies, Brutus and Cassius quarrel, then agree to march on Antony and Octavius. In the battle which follows, Cassius, misled by erroneous reports of loss, persuades a slave to kill him; Brutus’s army is defeated. Brutus commits suicide, praised by Antony as “the noblest Roman of them all.”
Julius Caesar
The Mud Bay Bards of Pier One Theatre present
Julius Caesar
By William Shakespeare
at the Homer High School Mariner Theatre
Performances are
Friday, October 17 at 7:00
Saturday, October 18 at 7:00
Sunday, October 19 at 3:00
Friday, October 24 at 7:00
Saturday, October 25 at 7:00
Sunday, October 26 at 3:00
Synopsis:
Caesar’s assassination is just the halfway point of Julius Caesar. The first part of the play leads to his death; the second portrays the consequences. As the action begins, Rome prepares for Caesar’s triumphal entrance. Brutus, Caesar’s friend and ally, fears that Caesar will become king, destroying the republic. Cassius and others convince Brutus to join a conspiracy to kill Caesar.
On the day of the assassination, Caesar plans to stay home at the urging of his wife, Calphurnia. A conspirator, Decius Brutus, persuades him to go to the Senate with the other conspirators and his friend, Mark Antony. At the Senate, the conspirators stab Caesar to death. Antony uses a funeral oration to turn the citizens of Rome against them. Brutus and Cassius escape as Antony joins forces with Octavius Caesar.
Encamped with their armies, Brutus and Cassius quarrel, then agree to march on Antony and Octavius. In the battle which follows, Cassius, misled by erroneous reports of loss, persuades a slave to kill him; Brutus’s army is defeated. Brutus commits suicide, praised by Antony as “the noblest Roman of them all.”
Thieves’ Carnival
Thieves’ Carnival
by Jean Anouilh
translated by Lucienne Hill
directed by Jennifer Norton
“An excellent lark loaded with humorous whims, romance, and masquerades.” Three enterprising thieves and a fortune-hunting father and son finagle an invitation into the home of Lord Edgard, Lady Hurff, and her two nieces. Torn between the job, blossoming romance, and enjoyment of their hosts’ rich lifestyle, the thieves linger overlong and arouse the suspicions of Lord Edgard, and jealousy of the other guests.
Performances: August 8 - 10, 14 - 17, & 21 - 23 at Pier One Theatre on the Spit
"Thieves’ Carnival” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com”
Thieves’ Carnival
Thieves’ Carnival
by Jean Anouilh
translated by Lucienne Hill
directed by Jennifer Norton
“An excellent lark loaded with humorous whims, romance, and masquerades.” Three enterprising thieves and a fortune-hunting father and son finagle an invitation into the home of Lord Edgard, Lady Hurff, and her two nieces. Torn between the job, blossoming romance, and enjoyment of their hosts’ rich lifestyle, the thieves linger overlong and arouse the suspicions of Lord Edgard, and jealousy of the other guests.
Performances: August 8 - 10, 14 - 17, & 21 - 23 at Pier One Theatre on the Spit
"Thieves’ Carnival” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com”
Thieves’ Carnival
Thieves’ Carnival
by Jean Anouilh
translated by Lucienne Hill
directed by Jennifer Norton
“An excellent lark loaded with humorous whims, romance, and masquerades.” Three enterprising thieves and a fortune-hunting father and son finagle an invitation into the home of Lord Edgard, Lady Hurff, and her two nieces. Torn between the job, blossoming romance, and enjoyment of their hosts’ rich lifestyle, the thieves linger overlong and arouse the suspicions of Lord Edgard, and jealousy of the other guests.
Performances: August 8 - 10, 14 - 17, & 21 - 23 at Pier One Theatre on the Spit
"Thieves’ Carnival” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com”
Thieves’ Carnival
Thieves’ Carnival
by Jean Anouilh
translated by Lucienne Hill
directed by Jennifer Norton
“An excellent lark loaded with humorous whims, romance, and masquerades.” Three enterprising thieves and a fortune-hunting father and son finagle an invitation into the home of Lord Edgard, Lady Hurff, and her two nieces. Torn between the job, blossoming romance, and enjoyment of their hosts’ rich lifestyle, the thieves linger overlong and arouse the suspicions of Lord Edgard, and jealousy of the other guests.
Performances: August 8 - 10, 14 - 17, & 21 - 23 at Pier One Theatre on the Spit
"Thieves’ Carnival” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com”
Thieves’ Carnival
Thieves’ Carnival
by Jean Anouilh
translated by Lucienne Hill
directed by Jennifer Norton
“An excellent lark loaded with humorous whims, romance, and masquerades.” Three enterprising thieves and a fortune-hunting father and son finagle an invitation into the home of Lord Edgard, Lady Hurff, and her two nieces. Torn between the job, blossoming romance, and enjoyment of their hosts’ rich lifestyle, the thieves linger overlong and arouse the suspicions of Lord Edgard, and jealousy of the other guests.
Performances: August 8 - 10, 14 - 17, & 21 - 23 at Pier One Theatre on the Spit
"Thieves’ Carnival” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com”
Thieves’ Carnival
Thieves’ Carnival
by Jean Anouilh
translated by Lucienne Hill
directed by Jennifer Norton
“An excellent lark loaded with humorous whims, romance, and masquerades.” Three enterprising thieves and a fortune-hunting father and son finagle an invitation into the home of Lord Edgard, Lady Hurff, and her two nieces. Torn between the job, blossoming romance, and enjoyment of their hosts’ rich lifestyle, the thieves linger overlong and arouse the suspicions of Lord Edgard, and jealousy of the other guests.
Performances: August 8 - 10, 14 - 17, & 21 - 23 at Pier One Theatre on the Spit
"Thieves’ Carnival” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com”
Thieves’ Carnival
Thieves’ Carnival
by Jean Anouilh
translated by Lucienne Hill
directed by Jennifer Norton
“An excellent lark loaded with humorous whims, romance, and masquerades.” Three enterprising thieves and a fortune-hunting father and son finagle an invitation into the home of Lord Edgard, Lady Hurff, and her two nieces. Torn between the job, blossoming romance, and enjoyment of their hosts’ rich lifestyle, the thieves linger overlong and arouse the suspicions of Lord Edgard, and jealousy of the other guests.
Performances: August 8 - 10, 14 - 17, & 21 - 23 at Pier One Theatre on the Spit
"Thieves’ Carnival” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com”
Thieves’ Carnival
Thieves’ Carnival
by Jean Anouilh
translated by Lucienne Hill
directed by Jennifer Norton
“An excellent lark loaded with humorous whims, romance, and masquerades.” Three enterprising thieves and a fortune-hunting father and son finagle an invitation into the home of Lord Edgard, Lady Hurff, and her two nieces. Torn between the job, blossoming romance, and enjoyment of their hosts’ rich lifestyle, the thieves linger overlong and arouse the suspicions of Lord Edgard, and jealousy of the other guests.
Performances: August 8 - 10, 14 - 17, & 21 - 23 at Pier One Theatre on the Spit
"Thieves’ Carnival” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com”
Thieves’ Carnival
Thieves’ Carnival
by Jean Anouilh
translated by Lucienne Hill
directed by Jennifer Norton
“An excellent lark loaded with humorous whims, romance, and masquerades.” Three enterprising thieves and a fortune-hunting father and son finagle an invitation into the home of Lord Edgard, Lady Hurff, and her two nieces. Torn between the job, blossoming romance, and enjoyment of their hosts’ rich lifestyle, the thieves linger overlong and arouse the suspicions of Lord Edgard, and jealousy of the other guests.
Performances: August 8 - 10, 14 - 17, & 21 - 23 at Pier One Theatre on the Spit
"Thieves’ Carnival” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com”
Thieves’ Carnival
Thieves’ Carnival
by Jean Anouilh
translated by Lucienne Hill
directed by Jennifer Norton
“An excellent lark loaded with humorous whims, romance, and masquerades.” Three enterprising thieves and a fortune-hunting father and son finagle an invitation into the home of Lord Edgard, Lady Hurff, and her two nieces. Torn between the job, blossoming romance, and enjoyment of their hosts’ rich lifestyle, the thieves linger overlong and arouse the suspicions of Lord Edgard, and jealousy of the other guests.
Performances: August 8 - 10, 14 - 17, & 21 - 23 at Pier One Theatre on the Spit
"Thieves’ Carnival” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com”
The Seagull
The Seagull
by Anton Chekhov
~ in a new version by Christopher Hampton
based on a literal translation by Vera Liber
directed by Cristen San Roman
A classic drama in four acts by Anton Chekhov, first performed in 1896. The play centers around a group of artists, all guests at a country estate, exploring unrequited love, fame, and the unfulfilled life of artists.
Performances: July 11 -13, 17 - 20, & 24 - 26 at Pier One Theatre on the Spit
"The Seagull (Hampton) is presented by special arrangement with Broadway Licensing. LLC,
servicing the Dramatists Play Service collection. (www.dramatists.com)"
The Seagull
The Seagull
by Anton Chekhov
~ in a new version by Christopher Hampton
based on a literal translation by Vera Liber
directed by Cristen San Roman
A classic drama in four acts by Anton Chekhov, first performed in 1896. The play centers around a group of artists, all guests at a country estate, exploring unrequited love, fame, and the unfulfilled life of artists.
Performances: July 11 -13, 17 - 20, & 24 - 26 at Pier One Theatre on the Spit
"The Seagull (Hampton) is presented by special arrangement with Broadway Licensing. LLC,
servicing the Dramatists Play Service collection. (www.dramatists.com)"
Auditions: Julius Caesar
Wednesday, July 23 & Friday, July 25 at 6:00 PM
Homer High School Mariner Theatre
Pier One will be hosting auditions for a Mud Bay Bards production of Julius Caesar by William Shakespeare.
Please come at the start time if at all possible to get the full audition experience! (If you absolutely cannot make these dates, please contact jennifer@pieronetheatre.org)
Audition materials are available at the Pier One Theatre office. These are open auditions for all ages.
Read on for information about the shows. Call 907-226-2287 or email info@pieronetheatre.org with any questions!
Synopsis:
Caesar’s assassination is just the halfway point of Julius Caesar. The first part of the play leads to his death; the second portrays the consequences. As the action begins, Rome prepares for Caesar’s triumphal entrance. Brutus, Caesar’s friend and ally, fears that Caesar will become king, destroying the republic. Cassius and others convince Brutus to join a conspiracy to kill Caesar.
On the day of the assassination, Caesar plans to stay home at the urging of his wife, Calphurnia. A conspirator, Decius Brutus, persuades him to go to the Senate with the other conspirators and his friend, Mark Antony. At the Senate, the conspirators stab Caesar to death. Antony uses a funeral oration to turn the citizens of Rome against them. Brutus and Cassius escape as Antony joins forces with Octavius Caesar.
Encamped with their armies, Brutus and Cassius quarrel, then agree to march on Antony and Octavius. In the battle which follows, Cassius, misled by erroneous reports of loss, persuades a slave to kill him; Brutus’s army is defeated. Brutus commits suicide, praised by Antony as “the noblest Roman of them all.”
Read the full play here:
https://www.folger.edu/explore/shakespeares-works/julius-caesar/read/
Audition materials may include these speeches:
Act I: Scene II (Cassius): “Why, man, he doth bestride the narrow… [etc…]”
Act III: Scene I(Marc Antony): “O mighty Caesar! Dost thou lie so low?…[etc…]”
or these scenes:
Act II: Scene II
Act V: Scene V
We will have audition forms at auditions, but if you’d like to save time at the door, you can fill this out in advance!
The Seagull
The Seagull
by Anton Chekhov
~ in a new version by Christopher Hampton
based on a literal translation by Vera Liber
directed by Cristen San Roman
A classic drama in four acts by Anton Chekhov, first performed in 1896. The play centers around a group of artists, all guests at a country estate, exploring unrequited love, fame, and the unfulfilled life of artists.
Performances: July 11 -13, 17 - 20, & 24 - 26 at Pier One Theatre on the Spit
"The Seagull (Hampton) is presented by special arrangement with Broadway Licensing. LLC,
servicing the Dramatists Play Service collection. (www.dramatists.com)"
Auditions: Julius Caesar
Wednesday, July 23 & Friday, July 25 at 6:00 PM
Homer High School Mariner Theatre
Pier One will be hosting auditions for a Mud Bay Bards production of Julius Caesar by William Shakespeare.
Please come at the start time if at all possible to get the full audition experience! (If you absolutely cannot make these dates, please contact jennifer@pieronetheatre.org)
Audition materials are available at the Pier One Theatre office. These are open auditions for all ages.
Read on for information about the shows. Call 907-226-2287 or email info@pieronetheatre.org with any questions!
Synopsis:
Caesar’s assassination is just the halfway point of Julius Caesar. The first part of the play leads to his death; the second portrays the consequences. As the action begins, Rome prepares for Caesar’s triumphal entrance. Brutus, Caesar’s friend and ally, fears that Caesar will become king, destroying the republic. Cassius and others convince Brutus to join a conspiracy to kill Caesar.
On the day of the assassination, Caesar plans to stay home at the urging of his wife, Calphurnia. A conspirator, Decius Brutus, persuades him to go to the Senate with the other conspirators and his friend, Mark Antony. At the Senate, the conspirators stab Caesar to death. Antony uses a funeral oration to turn the citizens of Rome against them. Brutus and Cassius escape as Antony joins forces with Octavius Caesar.
Encamped with their armies, Brutus and Cassius quarrel, then agree to march on Antony and Octavius. In the battle which follows, Cassius, misled by erroneous reports of loss, persuades a slave to kill him; Brutus’s army is defeated. Brutus commits suicide, praised by Antony as “the noblest Roman of them all.”
Read the full play here:
https://www.folger.edu/explore/shakespeares-works/julius-caesar/read/
Audition materials may include these speeches:
Act I: Scene II (Cassius): “Why, man, he doth bestride the narrow… [etc…]”
Act III: Scene I(Marc Antony): “O mighty Caesar! Dost thou lie so low?…[etc…]”
or these scenes:
Act II: Scene II
Act V: Scene V
We will have audition forms at auditions, but if you’d like to save time at the door, you can fill this out in advance!
The Seagull
The Seagull
by Anton Chekhov
~ in a new version by Christopher Hampton
based on a literal translation by Vera Liber
directed by Cristen San Roman
A classic drama in four acts by Anton Chekhov, first performed in 1896. The play centers around a group of artists, all guests at a country estate, exploring unrequited love, fame, and the unfulfilled life of artists.
Performances: July 11 -13, 17 - 20, & 24 - 26 at Pier One Theatre on the Spit
"The Seagull (Hampton) is presented by special arrangement with Broadway Licensing. LLC,
servicing the Dramatists Play Service collection. (www.dramatists.com)"
The Seagull
The Seagull
by Anton Chekhov
~ in a new version by Christopher Hampton
based on a literal translation by Vera Liber
directed by Cristen San Roman
A classic drama in four acts by Anton Chekhov, first performed in 1896. The play centers around a group of artists, all guests at a country estate, exploring unrequited love, fame, and the unfulfilled life of artists.
Performances: July 11 -13, 17 - 20, & 24 - 26 at Pier One Theatre on the Spit
"The Seagull (Hampton) is presented by special arrangement with Broadway Licensing. LLC,
servicing the Dramatists Play Service collection. (www.dramatists.com)"
The Seagull
The Seagull
by Anton Chekhov
~ in a new version by Christopher Hampton
based on a literal translation by Vera Liber
directed by Cristen San Roman
A classic drama in four acts by Anton Chekhov, first performed in 1896. The play centers around a group of artists, all guests at a country estate, exploring unrequited love, fame, and the unfulfilled life of artists.
Performances: July 11 -13, 17 - 20, & 24 - 26 at Pier One Theatre on the Spit
"The Seagull (Hampton) is presented by special arrangement with Broadway Licensing. LLC,
servicing the Dramatists Play Service collection. (www.dramatists.com)"
The Seagull
The Seagull
by Anton Chekhov
~ in a new version by Christopher Hampton
based on a literal translation by Vera Liber
directed by Cristen San Roman
A classic drama in four acts by Anton Chekhov, first performed in 1896. The play centers around a group of artists, all guests at a country estate, exploring unrequited love, fame, and the unfulfilled life of artists.
Performances: July 11 -13, 17 - 20, & 24 - 26 at Pier One Theatre on the Spit
"The Seagull (Hampton) is presented by special arrangement with Broadway Licensing. LLC,
servicing the Dramatists Play Service collection. (www.dramatists.com)"
The Seagull
The Seagull
by Anton Chekhov
~ in a new version by Christopher Hampton
based on a literal translation by Vera Liber
directed by Cristen San Roman
A classic drama in four acts by Anton Chekhov, first performed in 1896. The play centers around a group of artists, all guests at a country estate, exploring unrequited love, fame, and the unfulfilled life of artists.
Performances: July 11 -13, 17 - 20, & 24 - 26 at Pier One Theatre on the Spit
"The Seagull (Hampton) is presented by special arrangement with Broadway Licensing. LLC,
servicing the Dramatists Play Service collection. (www.dramatists.com)"
The Seagull
The Seagull
by Anton Chekhov
~ in a new version by Christopher Hampton
based on a literal translation by Vera Liber
directed by Cristen San Roman
A classic drama in four acts by Anton Chekhov, first performed in 1896. The play centers around a group of artists, all guests at a country estate, exploring unrequited love, fame, and the unfulfilled life of artists.
Performances: July 11 -13, 17 - 20, & 24 - 26 at Pier One Theatre on the Spit
"The Seagull (Hampton) is presented by special arrangement with Broadway Licensing. LLC,
servicing the Dramatists Play Service collection. (www.dramatists.com)"
The Seagull
The Seagull
by Anton Chekhov
~ in a new version by Christopher Hampton
based on a literal translation by Vera Liber
directed by Cristen San Roman
A classic drama in four acts by Anton Chekhov, first performed in 1896. The play centers around a group of artists, all guests at a country estate, exploring unrequited love, fame, and the unfulfilled life of artists.
Performances: July 11 -13, 17 - 20, & 24 - 26 at Pier One Theatre on the Spit
"The Seagull (Hampton) is presented by special arrangement with Broadway Licensing. LLC,
servicing the Dramatists Play Service collection. (www.dramatists.com)"
Johnny B's Rhythm of the North
Johnny B.’s Rhythm of the North
The Rhythm of the North is a celebration of our mountains, waterways and wildlife. The live performance includes a segment about the life cycle of salmon and a visual and musical reminder of the grandeur of our ice fields and glaciers.
As guide, Johnny B. takes the audience on a tour of his home and wild lands of Alaska… through stories, original music, and awesome images.
You can catch John at Pier One Theatre on Sunday, June 22, and Saturday July 5 at 7:30 PM.
Tickets are $25
New Plays Aloud
New Plays Aloud is a reading group for actors and playwrights, facilitated by Kate Rich. The group meets monthly on the last day of every month (unless there is a conflict with a holiday or other Pier One programming). Readings include short works, long works, newly published works, and works in progress. New Plays Aloud is free and open to the public. The location for the readings varies. Stay tuned for information on this month’s gathering!
Treasure Island
Treasure Island
by Robert Louis Stevenson
adapted by Jules Eckert Goodman
This classic swashbuckling story of adventure on the high seas is brought to life by the Pier One Youth Theatre Production Camp.
June 19 - 21 & 26 - 28 at the Spit Theatre
Treasure Island
Treasure Island
by Robert Louis Stevenson
adapted by Jules Eckert Goodman
This classic swashbuckling story of adventure on the high seas is brought to life by the Pier One Youth Theatre Production Camp.
June 19 - 21 & 26 - 28 at the Spit Theatre
Treasure Island
Treasure Island
by Robert Louis Stevenson
adapted by Jules Eckert Goodman
This classic swashbuckling story of adventure on the high seas is brought to life by the Pier One Youth Theatre Production Camp.
June 19 - 21 & 26 - 28 at the Spit Theatre
Johnny B's Rhythm of the North
Johnny B.’s Rhythm of the North
The Rhythm of the North is a celebration of our mountains, waterways and wildlife. The live performance includes a segment about the life cycle of salmon and a visual and musical reminder of the grandeur of our ice fields and glaciers.
As guide, Johnny B. takes the audience on a tour of his home and wild lands of Alaska… through stories, original music, and awesome images.
You can catch John at Pier One Theatre on Sunday, June 22, and Saturday July 5 at 7:30 PM.
Tickets are $25
Treasure Island
Treasure Island
by Robert Louis Stevenson
adapted by Jules Eckert Goodman
This classic swashbuckling story of adventure on the high seas is brought to life by the Pier One Youth Theatre Production Camp.
June 19 - 21 & 26 - 28 at the Spit Theatre
Treasure Island
Treasure Island
by Robert Louis Stevenson
adapted by Jules Eckert Goodman
This classic swashbuckling story of adventure on the high seas is brought to life by the Pier One Youth Theatre Production Camp.
June 19 - 21 & 26 - 28 at the Spit Theatre